Venice Cinema Mostra Film Festival
Venezia Classici 2026

The restored films of Venezia Classici 2026

With My Heart in My Throat – Pre-Opening Film

by Tinto Brass (Italy, 1967, 105’, colour)
restoration: Centro Sperimentale di Cinematografia

English, August

by Dev Benegal (India, 1993, 118’, colour)
restoration: Film Heritage Foundation

La Ilusión Viaja En Tranvía (Illusion Travels by Tram)

by Luis Buñuel (Mexico, 1954, 83’, B/W)
restoration: National Cinema Museum of Turin / Fundación Televisa / Cineteca Nacional México

Minnie and Moskowitz

by John Cassavetes (USA, 1971, 116’, colour)
restoration: Universal Pictures

The Uncle from Brooklyn

by Daniele Ciprì, Franco Maresco (Italy, 1995, 98’, B/W)
restoration: Fondazione Cineteca di Bologna, in collaboration with Filmauro

The Wild Angels (I Selvaggi)

by Roger Corman (USA, 1966, 86’, colour)
restoration: Amazon MGM Studios

Los De La Mesa 10 (Those at Table 10)

by Simón Feldman (Argentina, 1960, 83’, B/W)
restoration: Asociación Amigos Museo del Cine de Buenos Aires

Udju Azul Di Yonta (Yonta’s Blue Eyes)

by Flora Gomes (Guinea-Bissau/Portugal/France/UK, 1992, 98’, colour)
restoration: Cinemateca Portuguesa – Museu do Cinema

Woo Yuet Dik Goo Si (The Story of Woo Viet)

by Ann Hui (Hong Kong, 1981, 92’, colour)
restoration: M Plus Museum Limited

Valerie A Týden Divů (Fantasies of a Thirteen-Year-Old)

by Jaromil Jireš (Czech Republic, 1970, 77’, colour)
restoration: Národní filmový archiv

Abschied Von Gestern (The Girl Without a Story)

by Alexander Kluge (Germany, 1966, 88’, B&W)
restoration: Kairos-Film

To Be Or Not To Be (We Want to Live!)

by Ernst Lubitsch (USA, 1942, 99’, B/W)
restoration: Studiocanal

Minjing Gushi (Neighbourhood Cop)

by Ning Ying (China, 1995, 101’, colour)
restoration: China Film Archive

Cul-de-Sac (Cul De Sac)

by Roman Polanski (UK, 1966, 112’, B&W)
restoration: Fixafilm

Journey to Italy

by Roberto Rossellini (Italy/France, 1953, 97’, B/W)
restoration: Cinecittà S.p.A.

Ugly, Dirty and Bad

by Ettore Scola (Italy, 1976, 115’, colour)
restoration: Surf Film SRL / Centro Sperimentale di Cinematografia / Cineteca di Bologna

Gyoei No Mure (The Catch)

by Shinji Sōmai (Japan, 1983, 140’, colour)
restoration: Shochiku MediaWorX Inc.

The Long Night of ’43

by Florestano Vancini (Italy, 1960, 105’, B&W)
restoration: Fondazione Cineteca di Bologna, in collaboration with Compass Film

Popiół i Diament (Ashes and Diamonds)

Venice Cinema Mostra Film Festival Venezia Classici 2026