Venice Cinema Mostra Film Festival
Venezia Classici 2025

The restored films of Venezia Classici 2025

Matador

By Pedro Almodóvar
Spain, 1986, 102’, Colour
restored by: Video Mercury Films

Bashú, Gharibeh Kouchak (Bashu, The Little Stranger)

By Bahram Beyzai
Iran, 1986, 120’, Colour
restored by: Roashana Studios with the support of the Institute for the Intellectual Development of Children and Young Adults (KANOON) - presented by mk2 Films

Le Quai Des Brumes (Port Of Shadows)

By Marcel Carné
France, 1938, 92’, B/W
restored by: Studiocanal and la Cinémathèque française with the support of the Centre national du Cinéma et de l’image animée and CHANEL

3:10 To Yuma

By Delmer Daves
USA, 1957, 92’, B/W
restored by: Sony Pictures Entertainment

Aniki-Bóbó

By Manoel De Oliveira
Portugal, 1942, 72’, B/W
restored by: Cinemateca Portuguesa - Museu do Cinema

Roma Ore 11 (Rome 11:00)

By Giuseppe De Santis
Italy, 1952, 105’, B/W
restored by: Centro Sperimentale di Cinematografia – Cineteca Nazionale

Lo Spettro (The Ghost)

By Riccardo Freda
Italy, 1963, 95’, Colour
restored by: Severin Films

Mark Of The Renegade

By Hugo Fregonese
USA, 1951, 81’, Colour
restored by: Universal Pictures

Kagi (Odd Obsession)

By Kon Ichikawa
Japan, 1959, 107’, Colour
restored by: Kadokawa Corporation

Przypadek (Blind Chance)

By Krzysztof Kieślowski
Poland, 1981, 123’, Colour
restored by: DI Factory

Kaidan (Kwaidan)

By Masaki Kobayashi
Japan, 1965, 183’, Colour
restored by: Toho

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Lolita

By Stanley Kubrick
USA, 1962, 153’, B/W
restored by: The Criterion Collection, Warner Bros.

House Of Strangers

By Joseph L. Mankiewicz
USA, 1949, 101’, B/W
restored by: Walt Disney Studios, The Film Foundation

The Delicate Delinquent

By Don Mcguire
USA, 1957, 101’, B/W
restored by: Paramount

Il Magnifico Cornuto (The Magnificent Cuckold)

By Antonio Pietrangeli
Italy, France, 1964, 124’, B/W
restored by: Fondazione Cineteca di Bologna in collaboration with Compass Film

Do Bigha Zamin (Two Acres Of Land)

By Bimal Roy
India, 1953, 120’, B/W
restored by: Film Heritage Foundation – India, The Criterion Collection

Ti Ho Sposato Per Allegria (I Married You For Fun)

By Luciano Salce
Italy, 1967, 102’, Colour
restored by: Cinecittà S.p.A.

Aiqing Wansui (Vive L’amour)

By Tsai Ming-Liang
Taipei, 1994, 119’, Colour
restored by: Taiwan Film and Audiovisual Institute

Venice Classics – Documentaries About Cinema
In Competition

Mata Hari

By Joe Beshenkovsky, James A. Smith
USA / 93’

Elvira Notari: Oltre Il Silenzio (Elvira Notari: Beyond Silence)

By Valerio Ciriaci
Italy, USA / 90’

Louis Malle, Le Révolté

By Claire Duguet
France / 65’

Memoria De Los Olvidados (Memory Of The Forgotten)

By Javier Espada
Spain, Mexico, USA / 102’

Megadoc

By Mike Figgis
USA/ 107’

Boorman And The Devil

By David Kittredge
USA / 112’

Holofiction

Di Michal Kosakowski
Germania, Austria / 102’

Sangre Del Toro

By Yves Montmayeur
France, UK / 85’

The Ozu Diaries

Venice Cinema Mostra Film Festival Venezia Classici 2025